International Art Show Marina de Cascais – A Premier Contemporary Art Exhibition in Portugal

Begin with the private presentations listed on the website to map your path, prioritizing projects that align with the academy’s high standards.

The lineup foregrounds diverse forms and materials, from kinetic objects to tactile installations, drawing connections from madeira to loures and beyond. The labels often indicate a deste form number, helping you trace lineage across rooms and floors. amiot and toyamura appear in several installations, encouraging a debate that moves towards a planetary scale and a wide universe of meanings, including object-based statements and tactile environments.

For up-to-date details, consult the artelisboa reference page and the event’s website schedule. The approach favors concise, public-facing presentations that throttle excess and invite reflection, with private tours available for researchers and collectors via the academy.

Expect a compact, high-intensity programme that integrates pieces from souza-cardoso’s era with contemporary makers, including sites in madeira and projects produced under loures-based studios. This edition invites you to believe in a flexible, object-centered discourse and to engage with the works towards a richer, more inclusive narrative. Private conversations and measurable outcomes are encouraged, and the catalog you receive will include a cross-section of forms and languages, each pointing toward a planet perspective in the universe of practice.

How to navigate artist-designed rooms and suites: floor plans, featured artists, and standout installations

Begin with the central floor plan map and locate amadeo’s room and Cecile’s suite to anchor your route; this quick start prevents backtracking and helps you prioritize high-impact spaces.

Use the legend to filter by media: sculptures, sound works, and artwork. The layout groups pieces by concept and provides clear labels like standout installations, so you can identify projects with strong functionality and clear narratives.

In the projects area, plan to visit königswinter’s space, amadora-sintra’s suite, and almancil-based installations; each room offers a distinct concept and memory cue, with galerias signage guiding context and public information corners for deeper understanding.

Floor plans emphasize visibility and circulation: follow a high-traffic corridor that flows from Funchal’s centre to the northern edge, then loop through the netherlands-inspired clusters; this sequence reduces congestion while preserving access to artwork with pronounced spatial presence.

Pause at memory nodes near significant works and listen to complementary sound pieces when appropriate; the design prioritizes immersion, so bring a notebook to record impressions and notes on which sculpture or artwork you would revisit later.

Nearby stores and galerias outlets offer affordably priced catalogs and small-scale prints; use these spaces to contextualize what you’ve seen, and pick up a brochure to reinforce the public understanding of the contemporary projects in the space.

Ticketing and access: hours, prices, passes, and venue logistics

Hours and access: the venue operates Tue–Sun, 10:00–18:00, with Fri extended to 22:00; last admission is 30 minutes before closing. the space sits inside a municipal cultural complex along the coastal belt near lisboa, on the quinta amadeo precinct; inside, clear wayfinding guides visitors from the promenade to the main galleries and the outdoor terrace.

Pricing and passes: general admission 12 EUR; reduced 8 EUR for students, seniors, and job seekers; children under 12 enter free; family pass 28 EUR (two adults, two under-12s). group rates start at 9 EUR per person for 10 or more attendees. online bookings save 1 EUR per ticket and guarantee a specific time slot.

Pass options and exclusive experiences: an annual pass is available for 40 EUR; exclusive guided tours can be added for 10 EUR, offering a museum‑quality overview and a memory‑driven path through works by artistas such as souza-cardoso, with blocks for varius voices and cécile references. this option is ideal for collectors, educators, and families seeking a deeper goal beyond standard access.

Ticketing workflow and acceptance: the on‑site box office accepts cards, contactless payments, and mobile wallets; the provider operates under municipal oversight. for added value, uno would find exclusive visual showcases and a focused visit designed for everyone’s memory. the site uses _gat_gctracker to monitor traffic; blocking cookies may limit certain features.

Venue logistics and accessibility: entry is through the main gate along the coastal promenade; inside, elevators connect to all floors, with wheelchair‑accessible galleries and restrooms on each level. a cloakroom and a compact cafe area are available. parking near the coast can be limited, so public transit from lisboa is recommended.

Practical notes for planning: arrive 15–30 minutes before your slot to clear security checks and validate tickets; large groups (varius) should pre‑arrange visits via the municipal provider to ensure smooth entry. visual pieces, maus-hábitos references, and suíça connections appear across the route, including works by souza-cardoso, and the experience emphasizes planet‑scale context within a coastal culture framework.

Viewing the Light and Fire Show: best spots, safety guidelines, and scheduling

Begin on a rooftop located along amadora-sintra for an elevated, unobstructed view of the light-and-fire sequence; this vantage blends the installations with the skyline and highlights cécile tones that color memory along the quay.

Best spots to consider: rooftop terraces at a riverside hotel located in amadora-sintra, a ground-level viewing deck near the installations at the coleção complex, and a public square above the promenade facing the river where multimedia projections unfold. Visitors from canada or belgium will find these vantage points easy to reach by rail or car.

Safety guidelines: please stay behind marked lines and accept directions from staff; keep a safe distance from flame elements, do not touch barriers, secure loose clothing, and supervise children; in windy or rainy conditions, move to sheltered zones as directed by the information desk of the foundation.

Scheduling: check the information desk for the latest times; typical cycles begin just after sunset and may repeat later in the evening; plan to watch twice from different angles to capture the evolving planetary projections; the planet-oriented segments run in sequence, with about 12–15 minutes per cycle.

Practical notes: if you are traveling from almancil or belgium, allocate extra travel time and use major routes to reach the riverside area; this experience pairs well with exploring coleção’s other works and multimedia installations, while livre spaces offer quiet moments to reflect on memory and movimento; bring a light jacket, a portable charger, and please follow the foundation information to accept guidelines and plan the route above. The concept behind the display emphasizes Planets and its visual language, making the viewing experience feel both modern and connected to a global audience, including visitors from canada and beyond.

The LUMINA Festival connection: dates, installations, and Compagnie Carabosse’s performance

Recommendation: lock in the first-night pass to experience the inaugural video-mapping on a galeria façade, then follow the guestcentric routes through rooms and outdoor spaces where visual forms merge with the emptiness of night, a true human-scale dialogue that takes place across many sites.

Dates and venues

The edition runs mid‑August, with key moments scheduled across a span of 9 days. The first night opens with a striking video-mapping sequence projected onto the galeria, signaling a shift from still rooms to a streaming, space‑driven experience. Various exhibitions and installations are positioned along the street and in controlled interiors, inviting guests to circulate between стоory and street, into the coastal air. Notably, the edition spotlights contemporary forms that would appeal to visitors from canada and beyond, with a first-night program designed to indicate the great balance between emptiness and presence.

Compagnie Carabosse’s performance and related visuals

Compagnie Carabosse’s performance takes over the night as a planetary visual event, weaving embers with mist to create a serene yet dynamic atmosphere. The show would be staged into a sequence that engages guests as part of the action, with installations that are both monumental and intimate. The piece is represented in several rooms and outdoor nooks, and includes a first phase of video-mapping elements, followed by live light sculpture that interacts with participants and the surrounding space. The event indicates a modern approach to staging, where artists collaborate with galeria spaces and street venues, and where many components–emerging from canada and bel-air connections–come together to form a cohesive nocturne. The result reads as a great example of primeiro artistry, with a premio‑winning artwork that travels into Funchal’s network for a wider audience, then returns to the coastal base for a second act that small groups can enjoy in a more intimate setting.

Budget planning and due dates for exhibitors and partners

Recommendation: lock contracts within 10 days and require a 50% deposit within 7 days; balance due 30 days before setup begins. Create a single shared calendar with automated reminders and a clear checklist for each participant to ensure timely submissions and payments.

1. Financial framework and space options
   • Base rates (EUR): 8×10 m standard stand 3,500; premium 12×12 m 6,800; installation 900; insurance 180; shipping per crate 300–500; materials handling 150. Include a 12% contingency for unforeseen costs.
   • Currency and coverage: all invoices in EUR; include tax handling and cross-border fees where applicable. Build a small reserve for high-demand weeks and possible delays, keeping the heart of the budget protected.
   • Origin considerations: allow for shipments from japan when relevant; plan duties, cargo insurance, and customs clearance in the budget.
2. Payment milestones
   • Contract signing: 50% due within 7 days; remaining 50% due 30 days before access to the space.
   • On-site charges: invoices for installation labor, equipment, and services can be issued during setup hours and are due within 14 days; offer a 5–7 day grace period to support timely clearance.
   • Payment methods: bank transfer, credit card, or escrow option; confirm PO numbers and matching references to streamline acceptance (accepting feasible methods to reduce friction).
3. Submission and due dates
   • Concept description and artist dossier: due 21 days after contract; include high-resolution visuals and a concise statement (artistic concept) for evaluation.
   • CVs, bios, and fault-free materials lists: due 14 days after contract; ensure national and international collaborators–like gregory, jeff, and others–are clearly identified.
   • Materials list and mounting plan: due 14 days before arrival; include detailed measurements, weight, mounting hardware, and any special rigging requirements.
   • Shipping documents and insurance certificates: due 30 days before arrival; confirm insurer coverage for each crate and caption required liability limits.
   • Shipping origin notes: include origin country (e.g., japan) and expected transit times; verify that all crates are clearly labeled and tracked.
   • Access and setup requests (hours, crane needs, or park-area access): due 7 days before setup; align with the functionality of the venue and staff availability.
4. Logistics, materials, and on-site coordination
   • Crate arrival window: plan arrivals 14–21 days before opening; confirm delivery windows with the estoril, mafra, funchal, quinta venues as needed.
   • Installation and de-installation window: setup days typically 08:00–20:00; daily public hours 10:00–18:00; de-installation ends on the final day.
   • Lunch and rest areas: designate serene zones in the park or adjacent quinta venues; provide a 60-minute midday break to maintain focus and safety.
   • Materials and equipment: ensure all items are present and compatible with the platform; check that high-demand pieces by artists such as koons and feuerman have dedicated handling plans.
5. Roles, responsibilities, and contact workflow
   • Team structure: assign a primary galerias primeira liaison, a dedicated logistics lead, and a technical supervisor for materials handling (hours of operation clearly defined).
   • Key contacts: gregory, jeff, and other leads should be listed with direct phone lines and email; responses should be provided within 24 hours during peak periods.
   • On-site support: allocate a floor manager and a setup crew to assist exhibitors; ensure they have clear instructions and safety briefings.
   • Documentation and acceptance: require written confirmation for each milestone (acceptance of concept, layout, and final installation) to avoid miscommunication.
6. Risk management and contingencies
   • Late arrivals from abroad (e.g., japan): activate a backup plan by maintaining a small reserve of core materials and works able to be substituted without compromising the concept.
   • Insurance and liability: ensure full coverage for all crates, equipment, and installed works; require certificates at least 15 days before arrival.
   • Cancellation or changes: implement a fair policy with a minimal penalty to cover admin costs, preserving the integrity of the schedule for all partners.
   • Platform functionality: use a lightweight planning tool to track due dates, shipments, and approvals; keep the process streamlined to minimize friction for everyone involved (they can access it freely and update as needed).
7. Sample calendar and milestones (illustrative)
   • Week -12: contract signed; 50% deposit due; mood and concept approved; primeira meeting with galerias team; start planning logistics.
   • Week -10: dossiers and CVs submitted; krone list finalized; shipping plan drafted; japan-origin pieces flagged for duties.
   • Week -8: shipping arrangements confirmed; crates labeled; insurance certificates collected.
   • Week -6: crates in transit; installation team brief completed; early access forSetup request logged; koons and feuerman pieces confirmed for handling.
   • Week -3: on-site installation begins; daily team hours defined; lunch breaks scheduled; park or estoril-area spaces reserved for rest and debrief.
   • Week -1: final checks; heavy materials secured; concept documentation updated; artist statements on display are aligned with signage.
   • Day 0: opening; guest lists, press materials, and support logistics ready; they receive a concise briefing and a printed floor plan with clear routes.
8. Notes on scope and alignment

   The plan accommodates diverse works, including pieces from koons and feuerman, with strong focus on refined, high-level presentation. It emphasizes collaborative support from nacional partners, uses materials carefully, and preserves a serene atmosphere in public spaces such as park-like settings near estoril and funchal venues. The team should actively accept changes when required and maintain an open channel with partners, vendors, and galerias to ensure success.