Artbongard Gallery Takes Winter Quarters in Verbier

Plan a dawn visit to catch large-scale works catching the first light on alpine rooftops and near a watermill. This relocation creates a seasonal base in a Swiss resort town, merging ruinettes and sammlung with a hirshhorn mode that speaks to monde aesthetics.

The collaboration between bongard-stadler and myriam anchors the project as plusieurs years of inquiry converge in a village setting, inviting viewers to negotiate between public discourse and selfs through installations that spill from walls onto staircases and rooftop edges.

Across the sammlung, the selection balances intimate studies with large-scale installations, pairing drawings and sculpture with immersive environments that traverse water, light, and the textures of the watermill and surrounding rooftops, constantly reframing the relationship between art and place for the monde audience.

For those mapping a measured itinerary, myriam leads conversations that acknowledge diverse interpretations by viewers and selfs alike. The route invites walkers to scan the rooftops and courtyards while the works render a clear arc from ruinettes aesthetics to public memory, ensuring the narrative stays alive for years to come.

What to know about Artbongard’s winter residency in Verbier

Reserve a dawn visit to petit studios perched above the slopes to capture life unfolding over rooftops; the unique vantage yields multi-layered textures that influence the process behind paintings and works. cette lumière evolves toward sunset, so plan two sessions today to compare.

Video diaries and print editions accompany the residency, delivering an internationale selection of plusieurs works featuring myriam. Through press, audiences gain access to the through-line of the practice and the photographe-led documentation that accompanies it.

To participate, sign up for guided studio visits with slots posted today and plusieurs times this week, including morning and afternoon. Attelas serves as a practical hub for talks, while a petit shop in the village offers prints after sessions; bring cash or card to acquire editions.

Evenings reveal desert-like quiet that makes layered tones in each painting read through video and print. Cette approche multi-layered is designed for viewer engagement; elle invites visitors to read the works through the lens of the artist’s life and daily routines, including plusieurs studio explorations.

Key dates and schedule for visitors and artists

Plan your visit to coincide with the opening weekend, January 12–14, and register for the sunrise reception on January 12 to meet participating artists.

Public hours: Tue–Sat 10:00–18:30; Sun 11:00–17:00; closed Mondays.

Artist-in-residence block runs January 15–31 with studio access daily 10:00–16:00; collaboration sessions are scheduled for 14:00–16:00 on January 16–18 to foster cross-disciplinary work.

tobias from krems introduces paintings and sculptures; these pieces include 33cm formats for paintings and 18cm sculptures; fischli joins for a unique collaboration; over the course of three weeks, their palette and practice reveal a life-work relationship that translates from studio to public space.

avec york-based guests and penzberg collaborators host talks on January 18 and January 22, focusing on the relationship between life, self and practice; these sessions are limited to 40 attendees and require advance RSVP.

Logistics: delivery windows run January 8–11 for incoming works; installation completes by January 12; deinstallation begins February 2; visitors are advised to arrive 15 minutes early for guided paths and to reserve seats for talks in advance.

Practical tips: bring warm clothing for hillside corridors, arrive by 9:45 for the sunrise tour, and plan to spend 90–120 minutes per station to absorb these works; their unique pieces range across 33cm and 18cm scales, offering a compact, immersive experience.

Gallery hours, access, and appointment procedures during the season

Reserve a 60-minute viewing slot via the official online booking form to guarantee access, especially on weekends; morning time windows maximize sunrise light on the larch-lined spaces and the layered installation.

• Hours: Open daily 10:00–18:00; extended hours 10:00–20:00 on Fridays during peak weeks; note occasional seasonal adjustments–confirm on the booking page before departure.
• Access: Entrance at street level with a ramp; elevator serves all floors; curbside drop-off for three to five minutes and limited nearby parking; internal corridors are designed for easy circulation; the site participates in an institutional collaboration with bongard-stadler and local authorities to ensure accessibility and safety.
• Appointments: To request a private view or a guided look, use the online booking form and attach a short note with preferred date, time, and up to two works to focus on (for example, a 75cm piece and a 42cm work). For groups of people (three or more), a single reservation is required–plus separate entries can be arranged if needed. Availability favors morning slots, particularly around sunrise, when the spaces reveal keener details of the palette and installation layers.

These guidelines help visitors explore the collection, including pieces from the sammlung that touch on history, death, and craft. These sessions are designed to accommodate translated or written materials in multiple languages, and staff can arrange these supports since the institutional partners aim to serve partir des premières hours of the day.

During the season, expect a cross-section of works–such as a mars-like mars merlène motif and another sculpture–that explores diverses Espaces, architecturally framed by larch beams and a desert-inspired palette. For a focused experience, ask about personalized routes that highlight marlène, cette approche, et plusieurs petits objets (42cm, 75cm) that illustrate the layered narrative. These measures ensure an intimate encounter with the installation, its history, and the craft behind each piece.

Seasonal exhibitions and featured artists

Recommendation: Start with jean-marie and rondinone’s petit installation, a 42cm module that anchors the space and draws viewers into a multi-layered dialogue between light and video. These cues reward close inspection and encourage movement around the piece, revealing textures and shifts in tone.

The palette travels from pale neutrals to richer tones, with baïkal-like glints that respond to the room’s light. Through careful framing, the installation reads differently from each viewpoint, today and into the next.

An adjacent Pendleton textile piece adds a tactile counterpoint; its surface catches and refracts light, avec a soft shimmer that echoes the main field. This contrast strengthens the narrative and invites viewers to loop around the surface in search of new correspondences, these moments pulling the experience from petit to expansive. The wall label invites a quick comparison with quelle notes on site to guide interpretation.

From today, the internationale program presents talks and brief artist notes in october that unpack the methods behind these works. Expect a concise tour that highlights how jean-marie and rondinone translate concept into practice, how light choreographs sequence, and how observers become part of the loop, into which the two creators invite you to step next.

Media access: interview requests, press kits, and photography permissions

Submit interview requests to the media liaison at least 10 business days before your target date, including outlet, editor, contact details, and two available time slots. For on-site conversations, specify preferred setting (centre foyer, workspace, or rooftop view) and any gear needs. jean-marie acts as the photographe liaison for scheduling and on-site shoots; indicate if you require a bilingual interviewer or translator and whether you need a written Q&A. If you plan video, specify format, duration, and planned cut lines. Outlets from york and those connected to museums will find the coordination efficient when they provide a clear angle and a sample list of questions.

Press kits include a 1-page project overview, two high-res images (300 dpi) with captions, a list of available interviewees (curator, centre manager, artist), and a map of espaces and key zones within the centre. Visuals may feature original sculpture work with scale notes: 58cm tall pieces and 52cm-wide prints; the kit also provides rights and usage terms, plus a short dossier on krems and penzberg as contextual references. The content is multi-layered to serve outlets from york-based press to international museums, and in the French notes, the term prend appears to mark rights transfer.

Photography permissions: still photography is allowed in public zones during posted hours, with no flash near delicate sculptures and no tripods in tight aisles; drones are prohibited indoors. For close-ups that reveal the illusions and the death themes, obtain explicit authorization from the photographe liaison, jean-marie, and staff. When shooting, respect the life of each work and avoid touching surfaces; the label notes ‘selfs’ in some series, requiring extra clearance. If you need frames at 58cm or 52cm scales, ask in advance.

On-site etiquette and process: arrive 10 minutes early for check-in at the centre’s front desk; show press badge and the kit; coordinate with the photographe liaison (jean-marie) to reach interview subjects; follow posted hours and sign any release forms; if you want access to the shop area or specific espaces, request it at check-in. Press trips from york can be scheduled on weekdays to avoid tight schedules; note that ruinettes stock may be accessed by appointment with the shop manager; this helps to capture authentic life on rooftops and other settings, and provides another angle for the original, multi-layered sculptures that populate the centre.

Travel tips, lodging, and venue directions for Verbier winter

Book a hillside lodge with elevator access within a 12-minute walk of the central lift hub and a balcony oriented toward sunrise over the Monts; this reduces transit time and maximizes daylight for life and voyage planning each day.

• Lodging options and practicalities – choose 1–2 bedroom units in Les Moulins, La Tournelle, or Le Hameau for espaces that balance comfort and work needs. Look for institutional-grade heating, solid insulation, and easy access to stairs or a service lift to handle crates sized 42cm, 33cm, and 21cm without hassle.

  Note: managers Marlène and Myriam are known for reliable turnover and a warm welcome, reflecting a local history of hospitality that visitors value.

• Art-handling details – if you bring original pieces or work in progress, arrange delivery with the host at least 72 hours prior to arrival; specify crate dimensions (42cm, 33cm, 21cm) and preferred storage near a light-filled espace to enable a smooth installation, these adjustments easing the press process.

• Arrival and transit specifics – from Genève-Aéroport, take the direct rail to Martigny (about 1h30–1h50), continue to Le Châble (roughly 15–25 minutes), then ride the cable car to the core area (8–12 minutes). From Sion, use the intercity line to Le Châble and similarly finish by cable car; public buses run on a regular schedule aligned with sunrise departures.

• On-site layout and timing – the main space sits in a compact building facing Place Centrale; enter via Rue du Centre, proceed to the lobby, then take the stairs or elevator to the first floor for the exhibition halls. Opening hours run 09:00–18:00; a dedicated press desk is near the main stair and several espaces for pictorial review are available.

1. Daily planning for viewers – arrive early to catch the first light on the valley (sunrise), then stay for the late afternoon glow (sunset) that brings the beauté of the surroundings into relief; carry a compact camera for quick capture of the glace-toned reflections on the snow.

2. Nearby cultural touchpoints – the program nods to contemporary gendai aesthetics and institutional display traditions; expect visual work that resonates with a history of public life and voyage narratives, as some pieces echo scales like 21cm, 33cm, or 42cm to emphasize proportion.

3. Local names and networks – look for listings mentioning penzberg and krems-inspired design cues in the lodging interiors; Marlène and Myriam often source spaces that balance practical comfort with a pictorial sense of place, attracting visitors and viewers alike.

Art sales, logistics, and shipping during winter operations

Lock in internationale carriers 4–6 weeks ahead of peak cold-season demand; consolidate consignments through a single shop partner to cut handling, misrouting, and delays. This part of the workflow ensures reliability and straightforward customs clearance across years.

Packaging must rely on larch-wood crates with blanc panels, moisture barriers, and desiccants. For a large-scale piece such as a 75cm sculpture, specify interior clearance, reinforced corners, and a foam core that tolerates temperature swings; add a fait label for provenance and années; wrap with a Pendleton blanket for outer protection and use avec handling instructions in both English and French on the exterior.

The catalog should be unique and curated to feature a mix of sculpture and print editions; for print, use a dedicated crate system and ensure that editions are clearly numbered, which supports provenance for lovers and collectors; shipments should include tracking, plus insurance coverage, and constantly updated status alerts for more visibility.

Target lovers of sculpture and institutional buyers through international channels, including australian clients; offer a self pickup option at a designated shop or facility, and consider selfs insurance options as a cost-control measure. Set terms that acknowledge plus lead times for large-scale works and a sunrise dispatch window to align with customs hours.

Operational discipline: maintain a dedicated SOP for packaging, labeling, and crisis recovery; collect data from each season to improve routes constantly; highlight beauty and reliability of the logistics flow; ensure printing of proofs in print and report on années metrics for planning. This approach keeps the operation smooth as new works arrive and more events are scheduled.